We are going to do nothing. Nothing at all, nothing planned, nothing scheduled, no agenda, no calendar items, no outings, no play dates, not even laundry. We are doing nothing.
I am out of the office (again) after the two-week summer residency. Because I worked so much during the last two weeks, I’ve been itching to schedule out all kinds of fun during this week of vacation, this final week of honest-to-goodness summer before I go back to regular hours and they get ready for school. It has taken me a few days to feel like a thinking human being instead of a gray lump of motionless clay, but now, there are plenty of things-to-do on our things-to-do calendar, like the zoo, a Rubber Ducks ballgame, a wedding, a birthday party.
But TODAY, there is nothing. I laughed at Lydia and Elvis as they whined, “There’s nothing to doooo,” creating two syllables where there’s only supposed to be one. Yes, there’s nothing!
I feel a certain mix of guilt and delight knowing that my kids have to figure out for themselves what to do to keep entertained without the default television or video game. I have to resist the urge to monologue, “When I was your age…” but in my head, I remember it being just me and my brothers, or me and my cousins, inventing games and playing for hours. Or reading, how many hours did I sit and just… read?
Today, the kids have thirteen potential playmates within 500 feet of our house. It is a rare occasion when none of them are home, but it does happen, like this morning, when some are off to camp and others off to daycare and others still off to dentist appointments. It takes a little perseverance to break through the whining, but sooner rather than later, the default settings of boredom are overridden by creativity, and now they play Spy or build castles in the sand, or, like right this minute, they go to the pound and bark like dogs.
Meanwhile, my “nothing” is reading The Circus Train by Judith Kitchen, a novella-length essay that turns inward and outward, tracing trains of thought and circus trains and memory itself the way that one can only do when sitting still. Paused. Besides following Henry from the front of the house to the back and then to the front again in some subconscious attempts by him to keep me from being productive, I have wandered with her through memory and into my own past, where cousins counted different colored cars as they passed, where we stretched out on a blanket and stared up at the clouds, making shapes and figures out of vapors.
Now, I have sat here long enough to hear the dozen honey bees humming in the Russian sage. I have sat here long enough to watch a monarch butterfly dart from flower to flower, its lemon wings folding and unfolding. I have sat here long enough to watch a hundred cars accelerate and brake up and down our street, darting along their roads between somewhere and somewhere else, off to do something, and I have done nothing except observe and travel through Judith Kitchen’s memory into my own and back again, back to the monarch on the flower, back to the buzz of cars and bees and children, back to the nothingness of activity.
Sarah Marie Wells 